“This invited short piece was written in response to one of the two questions posed by the editors. I selected the following:
How do public traumas like 9/11, the wars in Iraq and Afghanistan, the rise in income inequality in the U.S., and the current recession affect, or frame, the production of your art works and art criticism? What is the role of individual style or idiosyncrasy in these times and circumstances? What is the role of the art market/fashion/art history versus such public or individual/idiosyncratic motivations and frames?”