Despite the passage of relatively uniform copyright legislation throughout East Africa and the formation of regional organizations meant to further standardize these laws, the protection of musical works in East African creative industries has varied significantly within and between Tanzania and Kenya. While enforcement remains weak throughout East Africa, each country has also taken a different path in the implementation of copyright policies meant to support musical property rights. These different trajectories can be explained, in large part, by the particular political, social and economic paths taken by East African countries toward the neoliberal present.