Book Review of Versions and Inversions: Perspectives on Avant-Garde in Latin America / Edited by Héctor Olea and Maria Carmen Ramírez.–ISBN 0-300-11652-7. Reviewed by Beverly Mitchell.

Book Review of Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property / Susan M. Bielstein.–ISBN 0-226-04637-0. Reviewed by Tom McNulty.

Book Review of Photographs: Archival Care and Management / Mary Lynn Ritzenthaler and Diane Vogt-O’Connor, with Helena Zinkham, Brett Carnell & Kit Peterson.–ISBN 1-931666-17-2. Reviewed by Martha R. Mahard.

Book Review of Sheila Hicks: Weaving as Metaphor / Edited by Nina Stritzler-Levine.–ISBN 0-300-116785-3. Reviewed by Louise Greene.

Book Review of When We Were Young: New Perspective on the Art of the Child / Edited by Jonathan Fineberg.–ISBN 0-520-25042-7 (cl., alk. pa.); ISBN 0-520-25043-5 (pa., alk. paper). Reviewed by Jennifer Benedetto Beals.

Book Review of Maya Lin: Systematic Landscapes / Richard Andrews and John Beardsley.–ISBN 0-300-12120-2. Reviewed by Ann Armstrong.

Book Review of Museum Skepticism: A History of the Display of Art in Public Galleries / David Carrier.–ISBN 0-8233-3694-4. Reviewed by Dr. Jeffrey Weidman.

Book Review of Karen LaMonte: Absence Adorned / Arthur C. Danto and Juli Cho Bailer.–ISBN 0-9726649-1-2. Reviewed by Aprille C. Nace.

Book Review of The World of Ancient Art / John Boardman.–ISBN 0-500-23827-8. Reviewed by Anne Marie Lane.

Book Review of The Color Explosion: Nineteenth-Century American Lithography / Jay T. Last.–ISBN 0-914589-11-3. Reviewed by Dan Lipcan.

Book Review of Modern Chinese Artists: A Biographical Dictionary / Michael Sullivan.–ISBN 978-0-520-24449-8. Reviewed by Tang Li.

Book Review of The Sight of Death: An Experiment in Art Writing / T.J. Clark.–ISBN 0-300-11726-4. Reviewed by John Hagood.

Book Review of Art of the Digital Age / Bruce Wands.–ISBN-13 978-0-500-23817-2; ISBN-10 0-500-23817-0. Reviewed by Judy Dyki.

En los últimos meses se ha exponenciado el discurso fetichista de la llamada inteligencia artificial. La ausencia de crítica propicia a no ver las condiciones materiales que la propician y el trabajo detrás de ella. Además, los escenarios futuristas, distópicos impiden ver lo que ya se hace con la tecnología. Quienes mueven y fomentan las aplic…[Read more]